In an interview with Pottermore, Howard stated that "it really is a balance of keeping the magic, the slight tension and the comedy. Howard stated that the film posed a "particular challenge" for him as it needed to be different and distinguishable from the previous Harry Potter films which saw iconic themes from acclaimed composers John Williams, Patrick Doyle, Nicholas Hooper and Alexandre Desplat. On 6 April 2016, it was announced that James Newton Howard would be composing the music for the film with veteran Harry Potter director David Yates at the helm and J.K Rowling penning the screenplay. The soundtrack was later released in both digital and physical formats on 18 November 2016 by WaterTower Music. A limited edition vinyl was first released on 4 November 2016.
Harry Potter and the Deathly Hallows - Part 2 (Original Motion Picture Soundtrack)įantastic Beasts: The Crimes of Grindelwald (Original Motion Picture Soundtrack)įantastic Beasts and Where to Find Them (Original Motion Picture Soundtrack) is the film score to the 2016 film of the same name, composed by James Newton Howard.
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Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.Fantastic Beasts and Where to Find Them (Original Motion Picture Soundtrack) Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. “He doesn’t have a coat and that makes him look vulnerable, and his clothes have little mends and patches on them that you don’t see, so he had a ’20s comic look,” Atwood said. When he goes to the bank for a loan, he wears a suit that was borrowed from a couple of friends. Kowalski, by contrast, was dressed very humbly. It looks like Jimmy Walker meets Joan Crawford.” He has a dark, flashier suit than the rest, and I gave him a coat that really pushed the period. He always looked smart and on the edge of style. “I thought it was an interesting take on the period and he was quite a dresser. However, for Colin Farrell’s Percival Graves, president of the Magical Congress, Atwood studied footage of the legendary New York mayor, Jimmy Walker. “He was kind of my poster child for the character,” she added. So I designed it a little shorter and made it longer in the back.” “But also the shape wasn’t too big so Eddie could move around quickly from sitting to standing still. “The color has the vibe of some of his fantastical creatures,” she said. Speaking of Scamander, when it came to designing his costume, Atwood conjured an ill-fitting suit and a turquoise coat. But that proved expensive and was eventually abandoned. Because it was fantastical with infinite space to protect his magical creatures, Craig and his team designed different environments for each creature (such as desert, snow, and forest). The toughest part, however, was the suitcase owned by Newt Scamander the introverted magician played by Eddie Redmayne. But Jacob’s bakery, just with light blue and gray, gave it a romantic air and it was rather pretty,” Craig said. “The color of the set is very dark with lots of atmospheric pollution, which they had at that time. This became the model for the tenement where aspiring baker Jacob Kowalski (Dan Fogler) lived. Because it was not restored, Craig could glimpse the structure of the building and beyond the period wallpapers where it’s torn. The Tenement Museum proved useful as well. “It was heavily nicotine-stained, with water permeating through the molten joints in the brick, and it was as dirty as we could possibly make it,” added Craig. “Fantastic Beasts and Where to Find Them”įor the seedy Blind Pig bar with the singing Goblin, Craig drew on memories of a London club he frequented in the ’60s.
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